Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The conversation in the store oil painting


The conversation in the store
mk206 about 1882 Oil on canvas 65x86cm
Painting ID::  49949 		Edgar Degas
The conversation in the store
mk206 about 1882 Oil on canvas 65x86cm
   
   
     
Edgar Degas Waiting oil painting


Waiting
mk206 about 1882 Oil on canvas 48.2x61cm
Painting ID::  49950 		Edgar Degas
Waiting
mk206 about 1882 Oil on canvas 48.2x61cm
   
   
     
Edgar Degas ballerina on the stage oil painting


ballerina on the stage
mk206 1883 Oil on tempera 64.8x50.8cm
Painting ID::  49951 		Edgar Degas
ballerina on the stage
mk206 1883 Oil on tempera 64.8x50.8cm
   
   
     
Edgar Degas woman towel off her body after bath oil painting


woman towel off her body after bath
mk206 1882-1885 Oil on tempera 72x58cm
Painting ID::  49952 		Edgar Degas
woman towel off her body after bath
mk206 1882-1885 Oil on tempera 72x58cm
   
   
     
Edgar Degas After bath oil painting


After bath
mk206 1883-1884 Oil on canvas 52x32cm
Painting ID::  49953 		Edgar Degas
After bath
mk206 1883-1884 Oil on canvas 52x32cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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